A young dancer in black leggings and tap shoes sits on the dance studio floor, observing class, highlighting the importance of productive observation in dance education.
A young dancer in black leggings and tap shoes sits on the dance studio floor, observing class, highlighting the importance of productive observation in dance education.

Sit It Out or Dance: Maximizing Learning When Dance Students Observe Class

It’s a scene familiar to every dance teacher: a student approaches, perhaps clutching a tummy, toe, or feigning an ailment in some other extremity. “Miss/Sir, I don’t feel well enough to dance today.” Or maybe it’s the aftermath of a weekend mishap, “I hurt my ankle playing soccer and Mom said I have to sit out.” And then there’s the classic, “Oops, forgot my dance shoes!” (Mom’s fault, naturally). Reasons for dance students needing to sit out and observe class are plentiful, ranging from genuine illness and injuries to forgotten gear and even, occasionally, behavioral issues. With the rise of virtual learning platforms, observation can even happen remotely. Regardless of the reason, the challenge for us as dance educators is clear: how do we ensure these students continue to learn and grow, even when they can’t physically participate?

A young dancer in black leggings and tap shoes sits on the dance studio floor, observing class, highlighting the importance of productive observation in dance education.A young dancer in black leggings and tap shoes sits on the dance studio floor, observing class, highlighting the importance of productive observation in dance education.

Turning Observation into Opportunity: Engaging Students Who Sit It Out

If we’re honest, a student needing to sit out can sometimes feel like an unwelcome disruption. Syllabi to cover, routines to perfect, exams looming – it’s easy to feel the pressure of lost class time. However, while we can encourage students to prioritize their health and preparedness for class, life happens. Injuries occur, colds strike, and sometimes, dance bags are simply forgotten. Instead of viewing observation as a setback, what if we reframed it as a unique learning opportunity? Imagine if students could gain as much, or even more, from a focused observation session than from actively dancing. It’s tempting to simply have them sit passively, but as educators, our duty extends to making observation a valuable experience. Furthermore, you might be surprised to find that actively engaging “habitual observers” in productive tasks can actually decrease their sideline time and boost their overall class participation. This post explores practical activities to keep dance students actively learning and engaged, even when they must sit it out in dance class.

Productive Activities for Dance Students Observing Class

Dance with Your Upper Body: Engaging the Mind and Core

Often, students sidelined with minor ailments or injuries are still capable of engaging with the movement on some level. A highly effective technique is to have the observing student sit upright in a chair, maintaining proper dance posture – engaged core, neutral pelvis, and elongated spine – and participate using only their upper body. They should follow along with all class combinations, focusing intently on executing the port de bras and épaulement with precision. Emphasize the importance of not just arm and torso movements, but also the dynamics, quality, and musicality inherent in the choreography. This exercise quickly reveals to students just how much more expressiveness and engagement they can achieve with their upper body when fully dancing. It’s a lesson they can carry back into full participation, enhancing their overall performance quality. Plus, it provides a surprising workout for their core and arm muscles!

Bonus Tip: Encourage students to reflect, either verbally or in a journal, on their experience of dancing solely with their upper body. Prompt them to consider how they can integrate this heightened upper body awareness into their future dancing, fostering a deeper mind-body connection.

Beyond Basic Note-Taking: Structured Observation for Deeper Learning

The instruction to “take notes” during observation is commonplace, but often yields minimal results, especially with younger dancers. Generic notes are rarely insightful. Dance students need specific guidance on what to observe and how to record their observations effectively. Providing targeted questions and prompts is crucial for guiding their attention and encouraging thoughtful articulation of what they see.

Bonus Tip: Keep readily available laminated copies of comprehensive dance class observation worksheets, such as the Holistic Collection of Dance Class Observation Worksheets – Beginner/Intermediate and Intermediate/Advanced. These resources offer structured worksheets covering various aspects of dance – technique, artistry, creativity, and social-emotional skills – transforming observation into a deep and rewarding learning process. Say goodbye to last-minute scrambles for observation assignments; these worksheets provide a ready-made solution.

Choreography Notation: Developing Retention and Analytical Skills

During a pivotal moment in her early career as an understudy, meticulously notating choreography after each rehearsal proved invaluable to the author. This practice not only solidified her understanding of her own part but also every other dancer’s role, leading to the creation of a new role specifically for her. Dance notation is a powerful tool for learning and memorizing choreography and is an excellent skill to develop during observation. Research supports the idea that writing information down by hand enhances memory retention. Encourage students to develop their personal notation systems, utilizing dance terminology, plain language, or even sketches and visual cues to document each combination taught in class.

Bonus Tip: In a digital age where video recordings of choreography are easily accessible, challenge students to dedicate class time to choreographic notation instead. Observe if this shift towards active recall and documentation improves their choreography retention and overall performance quality, moving beyond passive reliance on video.

Becoming the Teacher’s Assistant: Active Engagement and Studio Contribution

Keep observing students actively involved by assigning them assistant roles during class. Tasks can include taking attendance, managing music playback, documenting choreography notes, verbally counting rhythms, recording corrections, or even offering constructive feedback under your guidance. For students facing extended periods of observation due to injury, consider challenging them to create a simple warm-up or combination that they can “teach” to the class from a seated position, fostering leadership and pedagogical thinking.

Bonus Tip: At the end of class, initiate a discussion with the student about their experience as your assistant. Use this as a springboard to discuss the multifaceted nature of teaching – the preparation, the in-class decisions, and the constant observation. Most students, and often their parents, have little understanding of the complexities of dance instruction. This dialogue can cultivate a newfound appreciation for the teacher’s role and dedication.

Exploring Concepts Safely: No-Impact Movement and Somatic Awareness

Observing students, even with physical limitations, can still engage with the core concepts of the class through modified, low-impact activities. Assign exercises that allow them to explore the lesson’s themes in a safe manner. For instance, students can investigate head-tail connection and cross-lateral movement through floor-based Bartenieff Fundamentals. Pilates-based exercises can be used to focus on glute and rotator cuff engagement, or gentle yoga flows to explore the breath-movement connection. For classes focusing on creative skills, seated improvisation or chair choreography can be explored. Even some dance games can be adapted for seated participation. Always prioritize student safety and consult with medical professionals when necessary before assigning any movement exercises to students with injuries or health concerns.

Addressing the Underlying Issues: Emotional Check-ins and Deeper Understanding

It’s vital to connect with observing students and provide a space for them to express their feelings. For students who rarely sit out, being sidelined can be emotionally challenging. Others might seem to consistently find reasons to avoid full participation, potentially masking deeper issues. Engage in conversations to gauge their emotional state regarding their illness or injury. These discussions can also reveal underlying anxieties, insecurities, or external factors impacting their class engagement.

Bonus Tip: Keep a record of student observations, noting the frequency and timing within the class. Patterns, such as consistently sitting out during specific exercises like frappés or improvisation segments, warrant further investigation. It might indicate incorrect technique causing discomfort, or a need for more focused guidance and encouragement. If persistent patterns emerge, communicate with parents to explore potential underlying issues requiring medical, physical therapy, or counseling support, ensuring holistic student well-being.

The Holistic Collection of Dance Class Observation Worksheets – Beginner/Intermediate and Intermediate/Advanced offer valuable resources with five unique worksheets each, designed for productive student observation due to injury, illness, or other reasons. These worksheets comprehensively address dance technique, artistry, creativity, and social-emotional growth, transforming observation into a meaningful and enriching learning experience. No more frantic searches for observation tasks – these worksheets provide readily accessible, effective solutions.

Continue your journey of inspiration throughout the year! Explore the Resources page for tools supporting holistic teaching practices, subscribe to the quarterly newsletter, or connect on Facebook at The Holistic Dance Teacher.

Comments

No comments yet. Why don’t you start the discussion?

Leave a Reply

Your email address will not be published. Required fields are marked *