While Fred Astaire and Ginger Rogers are legendary for their dance partnerships, “Shall We Dance,” a 1937 musical gem, reveals another layer of their talent: their exceptional acting. In a genre often celebrated for its dazzling choreography and musical scores, this film stands out by showcasing the duo’s ability to deliver compelling performances amidst the typical trappings of a lighthearted musical comedy – sometimes even in spite of them. “Shall We Dance” isn’t just about the steps; it’s about the charm, wit, and genuine chemistry Astaire and Rogers bring to their roles, elevating the movie beyond a simple dance showcase.
More Than Just Dance: Astaire and Rogers’ Acting Prowess Shines
It’s easy to be swept away by the iconic dance routines of Astaire and Rogers, but “Shall We Dance” encourages viewers to appreciate their acting chops just as much. Unlike musicals where strong narratives and songs naturally enhance performances, “Shall We Dance” presents a different landscape. The film navigates through what some might consider dated humor, slightly theatrical dialogue, and a somewhat predictable storyline. Yet, Astaire and Rogers rise above these elements, delivering performances that are not only engaging but genuinely delightful. Their commitment to their characters transforms what could be a merely passable movie into a truly enjoyable cinematic experience.
Astaire embodies Petrov, a ballet dancer with a yearning to partner with the celebrated tap dancer Linda Keene, played by Rogers. His portrayal is nuanced, moving beyond just dance steps to capture Petrov’s earnestness and determined spirit. Rogers, as Linda, initially projects a desire for a quieter life away from the spotlight. However, she skillfully portrays the subtle shift in Linda’s demeanor as Petrov’s sincerity begins to chip away at her reservations. This delicate emotional arc, conveyed through Rogers’ expressions and subtle gestures, is a testament to her acting ability.
Plot and Characters: A Whimsical Romantic Misunderstanding
The narrative of “Shall We Dance” centers around a charmingly improbable scenario. Petrov’s persistent pursuit of Linda, both professionally and romantically, forms the core of the story. Linda, initially resistant, finds herself drawn to Petrov’s genuine nature. A comedic misunderstanding ignites when rumors, amplified by sensationalist media, spread the false news of their marriage. This fabricated union becomes a central conflict, forcing Petrov and Linda to confront an absurd reality where the world believes they are married, even as they themselves know it’s untrue. As Linda famously quips, “We’re the only people in the world who don’t think we’re married!” This sets the stage for a series of humorous and romantic situations as they navigate this bizarre predicament.
Adding to the film’s colorful tapestry are supporting characters like Edward Everett Horton as Petrov’s comically exasperated manager. Horton’s signature eye-rolls and dramatic asides provide consistent comedic relief, although some viewers might find his performance a bit over-the-top. William Brisbane enters the scene later as Linda’s wealthy admirer, injecting further comedic and romantic complications, contributing to the film’s overall light and frothy tone.
Pacing and Humor: A Gentle Build-up to Dance Spectacle
First-time viewers of “Shall We Dance” might need a touch of patience. The film adopts a leisurely pace, deliberately delaying the grand dance sequences. For nearly an hour, the focus remains on character development and plot progression, with only subtle hints of the dance brilliance to come. One early musical moment involves a charmingly understated scene of Astaire and Rogers walking a dog on a ship deck, rhythmically timed to a George Gershwin melody – a testament to the film’s subtle musicality even in non-dance sequences. This deliberate pacing builds anticipation, making the eventual dance numbers even more impactful.
The humor in “Shall We Dance” is gentle and character-driven. It relies more on witty dialogue and situational comedy than slapstick. Director Mark Sandrich maintains a light touch, ensuring the comedic elements never overshadow the developing romance or the performances. Even potentially absurd plot devices, like Linda’s manager possessing a mannequin of her for improbable photographic trickery, are presented with a lightheartedness that fits the film’s whimsical nature. This gentle humor, interwoven with the romantic narrative, contributes to the film’s enduring appeal.
Memorable Moments and the Gershwin Magic
Despite the delayed gratification in terms of dance sequences, “Shall We Dance” is punctuated with several unforgettable moments. The musical duet “They Can’t Take That Away From Me” is a highlight, showcasing the emotional depth Astaire and Rogers could convey even when one wasn’t singing. Rogers’ tearful, silent performance during Astaire’s vocal delivery is incredibly moving, and her close-up during the song rightly emphasizes her emotional resonance. The roller-skating dance sequence is another standout, often cited as the film’s most memorable and innovative number, blending athleticism and artistry seamlessly.
George and Ira Gershwin’s score is integral to the film’s charm. Their music provides the perfect backdrop for the romantic comedy, enhancing both the emotional and comedic beats. The songs are not just musical interludes; they are woven into the narrative, enriching the storytelling and adding another layer of sophistication to the film.
Enduring Appeal: Why “Shall We Dance” Still Captivates
“Shall We Dance” might initially feel slow-paced to modern audiences accustomed to faster narratives and immediate action. However, its enduring appeal lies in its timeless charm, the undeniable chemistry between Astaire and Rogers, and their surprisingly strong acting performances. While the plot might be considered somewhat formulaic and the humor occasionally dated, the film’s overall warmth and the sheer talent of its stars transcend these minor shortcomings.
For audiences in the 1930s, these movies were a form of delightful escapism, and perhaps the slightly meandering plots were part of the charm. Today, “Shall We Dance” offers a nostalgic glimpse into a bygone era of Hollywood musicals, reminding us that the magic of cinema can reside not just in grand spectacle, but also in the subtle nuances of performance and the enduring power of on-screen chemistry. It’s a film that rewards repeat viewings, allowing audiences to fully appreciate the layers of charm and talent woven into its seemingly simple fabric. “Shall We Dance” is more than just a dance movie; it’s a testament to the enduring appeal of classic Hollywood and the multifaceted talents of Fred Astaire and Ginger Rogers.
