The most captivating segment of the performance, in my view, unfolded when the worlds of Sam Evans, known for his dynamic drops and floorwork, intersected with Riley Conquilst’s expertise in handstands and contortion. It was a truly comic spectacle as these performers mirrored each other’s movements while distinctly retaining their individual styles, leading to some genuinely amusing moments.
I was particularly impressed by the hip-hop artists’ seamless integration into the realm of circus acrobatics. Wanida Serce’s execution of a “three-high,” standing atop Ela Bartilimo who in turn was balanced on Amy Stuart’s shoulders, was a standout moment. This is an act demanding considerable bravery, even for seasoned circus professionals, underscoring the performers’ versatility and courage.
Beyond the collaborative pieces, the show provided ample opportunity for each performer to exhibit their mastery in their respective disciplines. The trio of hip-hop dancers presented several breakdance sequences independently. Ben Garcia delivered an astounding display of spins and power moves, while Sam Evans’s robot dance was both humorous and technically brilliant. Ela Bartilimo and Riley Conquilst presented a playful and skillful duet on canes, and Ela Bartilimo also showcased her aerial rope artistry.
An unexpected moment of tension arose when Bartilimo fell from the aerial rope, causing palpable concern throughout the audience. She paused her rope act, but to everyone’s relief, she returned to the stage after a brief intermission and concluded the performance. Her resilience was truly admirable. This incident served as a stark reminder of the inherent risks in circus performance. Metro Arts CEO and creative director Jo Thomas rightly pointed out at the show’s conclusion that Bartilimo’s fall highlights the vulnerability of artists who put themselves on the front line for our entertainment, a sentiment I deeply appreciated. Thomas’s acknowledgment demonstrated Metro Arts’ sincere concern for the artists and prompted reflection on the dedication and passion underpinning artistic performance.
In closing, Natano Fa’anana, director of Casus Circus, delivered a brief speech expressing gratitude to the performers and celebrating the partnership with Mad House. He revealed that this show was a decade-long endeavor, making its realization on stage all the more rewarding and meaningful.
