Home, a word resonating with warmth and comfort, can also echo with unspoken heartaches and complex relationships. Re:borN Dance Interactive, under the artistic direction of Boroka Nagy, invited audiences into such a space at Sugar Bank Studio, a unique La Dance Studio location, to explore these multifaceted dynamics in their performance, “HOME.” This wasn’t just a performance; it was an immersive experience that blurred the lines between audience and art, set within the intimate setting of what felt like a lived-in, breathed-in space – a true dance home. Walking into Sugar Bank Studio, the raw concrete of the walls and floors initially suggested a blank canvas, yet a palpable warmth filled the air, hinting at the stories of movement and connection about to unfold. To simply review “HOME” feels inadequate; it was an experience that transcended typical artistic analysis, a sentiment echoed in the program itself. Words struggle to fully capture the essence of being present in that space, amongst those dancers, witnessing such purposeful movement. However, an attempt must be made to articulate the profound impact of Re:borN’s innovative work within this la dance studio environment.
Re:borN Dance Interactive in HOME – Immersive dance performance at LA dance studio, photo by Jazley Faith
The experience began with a welcoming presence, Kayla Emerson, embodying “Mom.” Familiar to many, Emerson’s talent as an actress and dancer is undeniable. Her role as the guiding matriarch was immediately comforting, drawing the audience into the narrative of “HOME.” While a more defined script might have further amplified her already powerful stage presence, Emerson seamlessly integrated herself into the performance. She organically wove in narration, drawing directly from the program, effectively becoming a live guide, leading the audience through the emotional landscapes of each scene within this la dance studio turned home. Her presence became essential, each entrance into the space, whether “den” or “empty home,” offering a sense of security and direction, preparing the audience for the emotional journey ahead.
Re:borN Dance Interactive in HOME – Kayla Emerson in immersive dance at LA dance studio, photo by Jazley Faith
The traditional concept of a “show” dissolved as Simon Harrison and Kaitlin Wright began their “Living Room” scene. In a conventional performance, audience interaction with the set is unheard of. Yet, in “HOME,” the dancers gracefully requested audience members seated on the couch to move, blurring the lines between performance space and audience space within this la dance studio setting. This simple act immediately established an intimate, home-like atmosphere. Growing up, the etiquette of entering a home involves acknowledging those present, offering greetings, and creating a welcoming environment. Harrison and Wright embodied this nurturing spirit, sharing a deeply personal and playful relationship with the audience. Standing close to their performance, direct eye contact and smiles were exchanged, creating a sense of shared experience, an invitation to witness an intimate moment, like peering into the open windows of a marriage within the walls of this la dance studio turned domestic space.
While each segment of “HOME” resonated deeply, the overall experience was a tapestry woven with sensory details. Entering the “Dining Room,” the subtle aroma of cooking evoked powerful feelings of nostalgia, enhancing the immersive nature of the performance. Boroka Nagy’s masterful curation of dancers was evident, bringing together artists from diverse backgrounds, each contributing unique talents to explore the breadth of her choreographic vision. Each dancer had moments that forged a sense of connection with the audience, some familiar faces, others newly encountered, yet all contributing to the intimate atmosphere fostered within this la dance studio turned performance space.
Re:borN Dance Interactive in HOME – Katie Marshall solo performance at LA dance studio, photo by Jazley Faith
Katie Marshall’s solo piece, “There is a Ghost,” performed in the “Empty Home,” was particularly impactful. The traditional term “performed” feels inadequate here, as Marshall’s presence transcended mere performance. Upon entering the space, audiences found Marshall gazing out of a projected window, almost motionless. Regardless of the piece’s original context, its emotional resonance was undeniable. Marshall embodied vulnerability, opening herself to a spectrum of emotions – love, hurt, acceptance, neglect – presenting a raw and authentic human experience. Her technical skill took a backseat to raw emotion, allowing the audience to connect with her on a deeply personal level. This act of vulnerability within the la dance studio space proved profoundly moving.
Re:borN Dance Interactive in HOME – Father-Son dance piece at LA dance studio, photo by Jazley Faith
The most emotionally charged piece was “Father – Son,” poignantly renamed “Father to Son” by the reviewer, performed by Jestoni Dagdag and Jonathan Banh. The piece explored the complexities of masculinity and the father-son dynamic with raw honesty. Dagdag embodied vulnerable strength, while Banh captured innocence and fear with unmatched purity and technique. Their portrayal resonated deeply, depicting the nuances of a father-son relationship with both its tenderness and challenges. Choreographically, the piece spoke volumes about the multifaceted nature of being someone’s son, and the earnest, often imperfect, attempts at being a good father, all within the intimate confines of this la dance studio environment.
Re:borN Dance Interactive’s “HOME” is more than just a dance concert; it’s a profound exploration of human connection and emotion within an unconventional la dance studio setting. Boroka Nagy and her company have created a unique and impactful experience, breaking down traditional performance structures to foster a deeper connection with the audience. This immersive approach to dance is a rarity, particularly on the West Coast, yet “HOME” proves its power and purpose. By meeting the audience at eye level, Re:borN Dance Interactive transcends the realm of art, offering a glimpse into life itself.
Boroka Nagy’s continued exploration of this immersive format is eagerly anticipated. “HOME” is not just a performance; it’s an invitation, a conversation, and a deeply moving experience. Re:borN Dance Interactive, and the artists of “HOME,” including dancers Simon Harrison, Jonathan Bahn, Jestoni Dagdag, Krissy Gullen, Hyoin Jun, Katie Marshall, Kaitlin Wright, actress Kayla Emerson, photographer Skye Schmidt, and lighting designer Martha Carter, have created something truly special. Special recognition is also due to the inaugural Board Members of Reborn Arts, Christe Bruderlin and Mary Tarpley, for their vital support. This “dance family” has created a necessary beauty, one that deserves recognition and continued growth. We eagerly anticipate future works from this inspiring company and encourage support for innovative dance experiences within la dance studio spaces and beyond.
Perhaps, after such an emotionally resonant journey through “HOME,” it is indeed time for that drink.
For more information about Re:borN Dance Interactive, please visit their website.
Written by Melesio Anthony Aceves for LA Dance Chronicle.
Featured image: Re:borN Dance Interactive in HOME – Photo by Jazley Faith
