In the demanding world of dance, where passion and perseverance are essential, the term “Hustling Dance” perfectly encapsulates the relentless dedication required to succeed. For Evan Ruggiero, a New York City-based singer, actor, and exceptionally talented tap dancer, this “hustling dance” takes on an even deeper meaning. Evan’s journey is not just about mastering intricate steps and captivating audiences; it’s a testament to his extraordinary resilience in the face of adversity. Diagnosed with osteosarcoma and undergoing a life-altering amputation during college, Evan transformed his challenges into a catalyst for innovation, becoming a leading figure in tap dance with his unique peg-leg style, inspired by the legendary Clayton “Peg Leg” Bates. This is the inspiring story of Evan Ruggiero, an artist who embodies the true spirit of hustling dance, breaking barriers and redefining what’s possible in the world of performance.
From Early Passion to Professional Stages
Evan Ruggiero’s love affair with dance began at the young age of five, sparked by watching his sister in a dance class. Initially drawn to the energetic rhythms of hip hop, he soon discovered the intricate footwork and musicality of tap dance. By ten, his talent and dedication earned him a place with the prestigious New Jersey Tap Ensemble, launching his professional career onto stages like Lincoln Center. Early highlights of his flourishing career included performances at iconic venues like Carnegie Hall, appearances on national television such as the Ellen DeGeneres Show, and even the honor of performing for prominent figures like Joe Biden and the President of Egypt. These early successes laid the foundation for a promising career in musical theatre, which he pursued at Montclair State University.
Facing Adversity and Finding Inspiration
At 19, Evan’s path took an unexpected turn with a diagnosis of osteosarcoma, a form of bone cancer. His studies were put on hold as he underwent extensive treatments and surgeries. Despite the immense challenges, his desire to perform, particularly to tap dance, remained undimmed. However, after seven months of battling the cancer, the only viable option to save his life was amputation of his right leg above the knee. It was during this period of recovery that Evan found inspiration in the story of Clayton “Peg Leg” Bates, a legendary tap dancer who continued to perform after losing a leg in his youth. Inspired by Bates’ resilience and innovation, Evan resolved to follow in his footsteps and redefine his dance journey.
Image description: Tap dancer Evan Ruggiero leaps with his peg leg extended, surrounded by red energy streaks, symbolizing his powerful and dynamic performance.
Relearning Tap and Rebuilding a Career
Following sixteen months of chemotherapy and a total of two years of treatment, Evan received his prosthetic leg. With unwavering determination, he embarked on the challenging journey of relearning tap dance, adapting to this new extension of his body. Drawing inspiration from “Peg Leg” Bates, he meticulously studied footage of the legendary dancer, seeking to understand and recreate his techniques, and then innovate to develop his own unique style. This period of intense self-training marked a new chapter in Evan’s career. He not only returned to tap dance but expanded his artistic horizons to include singing, acting, and motivational speaking, traveling the world and sharing his inspiring story and exceptional talents.
The Unique Rhythms of Evan and the S’Evan Legs
Evan’s current dance practice is deeply intertwined with his band, “Evan and the S’Evan Legs.” This quartet, humorously named for their combined seven legs, highlights Evan’s perspective and ability to find humor even in adversity. As a tap dancer, Evan considers himself a musician, emphasizing the rhythmic and percussive nature of tap. Their rehearsals, often lasting four to eight hours weekly, are a blend of musical and choreographic exploration. Balancing rehearsal time with frequent performances requires adaptability, with studio sessions dedicated to refining existing routines and developing fresh choreographic ideas. This constant creative process ensures their performances remain dynamic and innovative, showcasing Evan’s evolving artistry.
Reactions and Redefining Perceptions
Evan often encounters varied reactions when he shares that he is a dancer. Depending on whether he is wearing his prosthetic leg visibly, responses range from confusion and disbelief to awe and admiration. Even within the dance community, despite increasing awareness, there are still moments of surprise and curiosity. To bridge the understanding gap, Evan has innovated a unique tap class for two-legged dancers, designed to replicate the sonic experience of dancing with a peg leg. By focusing on using only the right heel, students gain a tangible appreciation for the adaptations and innovations inherent in Evan’s distinctive style. This educational approach fosters inclusivity and breaks down preconceived notions about dance and disability.
Challenging Problematic Narratives in Dance
One of the ongoing challenges Evan faces is the media’s tendency to focus on his disability rather than his artistry. Despite dedicating immense effort to his performances, press coverage often emphasizes the “inspirational” aspect of his story, sometimes overshadowing his artistic achievements. While appreciative of the positive intent, Evan emphasizes that he is a “hustling artist” striving to build a career in a competitive industry. He works tirelessly, often needing to exert three or four times the effort of his two-legged peers. Evan’s goal is to be recognized for his talent and hard work, not merely as an inspirational figure. He actively challenges limiting perceptions, advocating for disabled artists to be seen as accomplished professionals within the mainstream dance world.
Progress and the Path to Inclusivity
Evan acknowledges the progress being made in creating training opportunities for dancers with disabilities, citing companies like AXIS Dance Company as leaders in this area. However, he notes a gap in commercial dance education, where institutional support is less prevalent. Currently, initiatives are often driven by individuals and smaller groups. Evan’s own experience in college, where his musical theatre program accommodated his needs after his amputation, highlights the potential for educational institutions to be more inclusive. He believes that integrating disability into mainstream commercial dance requires a shift in perception among producers and casting directors, moving beyond seeing disabled artists as a novelty and recognizing their professional capabilities and commercial viability. This integration is crucial for fostering a truly inclusive and diverse dance industry.
Image description: Evan Ruggiero performs a dynamic tap dance move in a bustling New York City street, showcasing his artistry in an urban setting.
Embracing Identity and Driving Change
Evan prefers to be identified as a “dancer/actor/performer with a disability” or a “dancer with one leg,” embracing the term disability rather than euphemisms like “differently abled.” This directness reflects his commitment to open and honest conversations about disability in dance. He observes a positive trend in the industry, with increasing visibility and acceptance of dancers with disabilities in commercial projects. While challenges remain in convincing producers and casting directors of the artistic and commercial value of inclusive casting, Evan is optimistic. He and other artists are actively working to dismantle the notion of disability as a gimmick, asserting their place as hardworking, talented professionals who enrich the dance world with their unique perspectives and abilities. Evan Ruggiero’s journey embodies the true essence of hustling dance – a relentless pursuit of passion, overcoming obstacles, and redefining the boundaries of dance itself.
