The showcase is done, the graduation cap has been tossed (technically a bit late, January to be exact after practicum!), and now the real dance begins. Welcome to what feels like “Dance Street 2” – the advanced level of a performer’s journey where auditioning isn’t just a part of the job, it is the job. As one insightful teacher put it, booking the show? That’s just the perk. So, mornings now start before dawn, a non-union reality, fueled by coffee and the relentless pursuit of a dream. Days are a whirlwind of open calls, agent meetings, and the ever-present search for a survival job to keep the dream afloat. This is the life on “Dance Street 2,” a demanding but exhilarating phase.
The Non-Equity Audition Hustle: Leveling Up on Dance Street 2
Auditioning as a non-union performer, especially for Equity Principal Auditions (EPAs) or Equity Chorus Calls (ECCs), is like navigating the crowded lanes of “Dance Street 2” during rush hour. You’ve got to arrive ridiculously early, sometimes before the sun even thinks about rising, to snag a spot on the unofficial Non-Equity list. It’s a waiting game, a test of dedication, where you hope the monitor announces that non-equity performers might get a shot after the Equity and EMC (Equity Membership Candidate) talents have had their turn. Think of it as proving you’re ready to move to the next level of “Dance Street 2” – you’ve got the drive and the stamina.
Thankfully, audition season is open call season. These open doors are where anyone can throw their hat in the ring, a true melting pot of talent on “Dance Street 2.” It’s a first-come, first-served world, demanding punctuality and proactiveness. Getting your name down early, lining up with fellow dream-chasers – it’s all part of the “Dance Street 2” choreography.
Dawn Patrol: The 6 AM Call Time on Dance Street 2
What’s the earliest call time endured on “Dance Street 2”? For many, including myself, 6 AM is practically standard. It sounds extreme to those outside this world, but on “Dance Street 2,” it’s just the rhythm of the day. The first 6 AM wake-up call that truly hit home was for an open call for Beautiful. Arriving at that hour and being number nine in line felt like a victory in itself, a strong start on “Dance Street 2”. However, “Dance Street 2” audition season is known for its intensity. Just the other day, arriving at 6 AM meant being number 320 on the list. That’s “Dance Street 2” – unpredictable, challenging, and requiring unwavering commitment.
Broadway Dreams: The Ultimate Destination on Dance Street 2
The ultimate aspiration? Broadway. The dream role? Carole King in Beautiful. That’s the peak of “Dance Street 2,” the bright lights at the end of this demanding road. Right now, the focus is honing the craft, building the stage presence, and mastering the skills needed to truly own that role, to conquer “Dance Street 2” and arrive at the Broadway destination. While dance has always been a strong suit, the serious dive into theatre came a bit later, around 10th grade. The journey now is about continuous learning, embracing regional theatre experiences, booking tours to see the country and gain invaluable performing experience. Each step is crucial, each audition a lesson, all leading towards earning that coveted spot on a Broadway stage. This is the roadmap of “Dance Street 2” – a path of dedication, perseverance, and relentless pursuit of a Broadway dream.
