Historically, the evolution of dance within C&W music has been quite organic. Someone started waltzing to 6-count C&W music, then the Cha Cha rhythm was explored. West Coast Swing naturally evolved into the mix, and when WCS music tempos became too fast, East Coast Swing emerged as another variant. Given this history of adaptation, isn’t it logical to include the lively and energetic dance polka to music that naturally lends itself to it?
This expansion of dance styles in C&W didn’t stop there. When C&W dance competitions began to gain popularity, organizers realized the need for a more diverse range of dances beyond just the foundational Two-Step and Triple Two-Step. To create a more comprehensive competition, they incorporated Waltz, Polka, Cha Cha, WCS, and ECS, among others. Today, you’ll commonly see at least eight different dances in C&W dance settings, and occasionally even more!
Interestingly, the boundaries of where certain dances are appropriate are becoming increasingly blurred. It’s not unheard of to hear a Two-Step tune at a “Ballroom Only” event, and witness many dancers, who might have sat out during the ballroom music, eagerly jump onto the floor for the Two-Step. This demonstrates the inherent appeal and crossover potential of these dances.
However, it’s also true that there’s a noticeable trend towards structuring C&W dances to resemble their ballroom counterparts more closely. While embracing diverse dance styles, the C&W dance community is also refining and standardizing them, sometimes echoing the precision and form found in traditional ballroom dance. This evolution reflects a dynamic and ongoing conversation about what defines Country and Western dance and its exciting possibilities.
