Chris Brown, known for his electrifying dance moves and musical talent, ventured into the world of dance movies with “Battle of the Year.” This film, directed by Benson Lee, who is also known for the documentary “Planet B-Boy,” promised to deliver high-energy breakdancing sequences and a compelling story. However, does it live up to the hype, especially for fans eager to see Chris Brown in a dance-centric role?
“Battle of the Year” centers around Jason Blake (Josh Holloway), a former basketball coach tasked with assembling and training an American b-boy team to compete in the prestigious international breakdancing competition, Battle of the Year, held in France. His friend Dante (Laz Alonso) believes Jason, despite his personal struggles, is the right person to lead a team to victory. Amidst the team members is Rooster, played by Chris Brown, depicted as a highly skilled but arrogant dancer.
Benson Lee’s direction certainly showcases his deep understanding and appreciation for breakdancing. The movie shines when it focuses on the dance itself. Lee’s experience with “Planet B-Boy” is evident in the vibrant and dynamic portrayal of the dance sequences. The performances, particularly during the Battle of the Year competition, are visually captivating and energetic. The film features impressive footwork and showcases the athleticism and artistry of breakdancing.
However, “Battle of the Year” struggles with a predictable and cliché-ridden screenplay. The narrative follows a familiar sports movie trope: a group of misfits learning to work together as a team under a troubled coach. This storyline, while functional, lacks originality and depth. The attempt to develop character arcs, such as the strained relationship between two b-boys with differing viewpoints, feels forced and underdeveloped.
[Image of Chris Brown dancing in Battle of the Year]
Chris Brown’s portrayal of Rooster is a point of interest, and perhaps controversy, for many viewers. The character is written as arrogant and self-centered, traits that some critics have pointed out might not be a significant stretch for Brown to portray, given his public persona. Despite this, Brown’s undeniable talent as a dancer is on full display. He commands attention on screen, and whether you love or hate the character, his performance is memorable. His dance sequences are a highlight of the film, demonstrating his exceptional skills and star presence.
Josh Peck, as Franklyn, Jason’s assistant, provides a more likeable and lighter presence. Peck, known for “The Wackness,” brings a charming and self-deprecating humor to his role, offering a contrast to the intensity of the dance competition and the drama surrounding the team.
[Image of the Battle of the Year competition scene]
The supporting cast, primarily chosen for their breakdancing abilities, deliver on the dance front. However, their acting performances are less compelling, particularly when the script demands emotional depth. While the movie aims to explore themes of teamwork and personal growth, these aspects often feel secondary to the dance sequences.
The climax of the movie, the Battle of the Year competition, is where Benson Lee’s direction truly excels. The energy of the competition, the impressive performances of various international teams, especially the Korean team, and the US team’s routine are all captured effectively. This section of the film is genuinely exciting and showcases the global appeal and dynamism of breakdancing culture.
The original review critiqued the 3D and digital format, suggesting it detracted from the dance action, making it appear less fluid. While the visual technology might have been a drawback for some, the core dance performances remain impactful. For viewers primarily interested in seeing Chris Brown dance and experiencing high-octane breakdancing sequences, “Battle of the Year” offers some entertainment value.
In conclusion, “Battle of the Year” is a mixed bag. As a Chris Brown Dance Movie, it delivers on showcasing his dance talent and features impressive breakdancing choreography. However, it is let down by a predictable plot and uneven acting. If you’re a die-hard fan of Chris Brown or a breakdancing enthusiast, you might find enough to enjoy in “Battle of the Year.” However, for those seeking a film with a strong narrative and nuanced characters, this movie might fall short. Perhaps revisiting classic breakdancing films like “Breakin’ 2” might offer a more satisfying experience for some viewers.
