“And Then We Danced” emerges as a compelling cinematic piece, skillfully weaving a narrative of gay sexual awakening against the rich tapestry of traditional Georgian culture. This film bravely navigates societal norms and personal desires within a nation grappling with anti-LGBTQ+ sentiments. At its heart is a young, ambitious dancer, Merab (Levan Gelbakhiani), who confronts poverty, familial instability, and the demanding pursuit of joining the prestigious National Ensemble. His world shifts when he encounters Irakli (Bachi Valishvili), a fellow dancer whose presence sparks both rivalry and an unexpected, profound connection. Their burgeoning friendship evolves into deeper emotions, presenting a poignant challenge to Merab’s established world.
The film offers a rich immersion into Georgian traditions, showcasing vibrant dance forms, evocative music, delectable cuisine, and elaborate wedding customs. While some viewers might yearn for even greater cultural exploration, the film’s essence lies in its portrayal of personal growth and self-discovery within a restrictive social landscape. Although the editing of dance sequences might feel somewhat fragmented, potentially diluting the raw power and elegance inherent in Georgian dance, the film’s narrative strength remains undiminished. The core story resonates deeply as it delicately portrays the unfolding love between Merab and Irakli, choosing to depict their connection with sincerity and nuance, rather than dwelling excessively on overt homophobic antagonism. However, the film subtly critiques societal hypocrisy, notably through a recounted anecdote of an Orthodox priest who, tasked with “correcting” a gay dancer, ultimately engages in the very behavior he condemns.
The performances across the cast are consistently strong, adding emotional depth to the narrative. Memorable scenes include tender moments shared with the protagonists’ grandmothers, and a particularly touching exchange between brothers, illustrating the complexities of reconciling tradition with individuality while maintaining familial bonds. The film culminates in a powerful final dance sequence, where Merab’s performance embodies both resilience and a personalized expression of his identity, leaving a lasting impact and a resonant conclusion to the film.
