“Land Of A Thousand Dances: Chicano Rock ‘n’ Roll from Southern California” by David Reyes and Tom Waldman is an essential read for anyone wanting to delve into the vibrant history of Chicano rock. As someone deeply immersed in this musical landscape, I can attest to the book’s significance in chronicling a story that deserves to be heard. This book isn’t just a historical account; it’s a celebration of the Chicano rock artists who shaped a unique chapter in rock and roll history.
Reyes and Waldman meticulously trace the journey of Chicano rock, primarily from East Los Angeles, spotlighting artists who, against considerable odds, carved their space in the music industry. From hitmakers like Ritchie Valens, The Premiers, The Blendells, Cannibal & the Headhunters, El Chicano, Tierra, and Los Lobos, to numerous other influential bands, the book paints a vivid picture of a thriving musical movement. What makes “Land of a Thousand Dances” particularly inspiring is the narrative of resilience and determination. These were artists largely from middle and lower-middle-class backgrounds, often without formal music education, who confronted prejudice and industry skepticism. Their success is a testament to their talent and perseverance.
The making of “Land of a Thousand Dances” was a decade-long endeavor, reflecting the depth of research and passion invested by Reyes and Waldman. My own interview for the book dates back to 1988, underscoring the authors’ commitment to thoroughness. The book thoughtfully begins by exploring the pre-rock influences, honoring pioneers like Chico Sesma and Lalo Guerrero, my father. Sesma’s big band swing and jazz background and my father’s role as a Chicano musical innovator set the stage for the rock and roll explosion that followed. The narrative then moves into the 1960s, a period when East L.A. became a melting pot of musical innovation. Bands like Thee Midniters, The Romancers, Ronnie & the Casuals, Little Ray & the Progressions, The Jaguars, The Emeralds, The Blendells, and The Premiers were the heartbeat of this era. My own band, Mark & the Escorts, was part of this exciting scene, playing countless gigs alongside these talented musicians. It’s remarkable to reflect on how much we accomplished as teenagers, fueled by passion and the energy of the times.
The late 60s and early 70s witnessed the evolution of Chicano rock, with bands like El Chicano, Tierra, Macondo, Yaqui, and my band Tango securing deals with major labels. The 1980s brought forth the Chicano punk movement with bands such as The Plugz, Los Illegals, and The Brat, alongside the meteoric rise of Los Lobos. The 90s saw the emergence of Chicano rap artists like Kid Frost and Lighter Shade of Brown, demonstrating the continuous evolution of Chicano music.
“Land of a Thousand Dances” goes beyond just band histories. It skillfully interweaves the socio-political context of each era, illustrating how these conditions shaped the music and the lives of the musicians. The book effectively positions Chicano musical contributions within the broader history of rock and roll, highlighting their often-overlooked impact. The inclusion of perspectives from Frank Zappa and Bill Medley of The Righteous Brothers, who were both influenced by Chicano music and culture, adds further depth to the narrative.
The achievements of these barrio bands are truly noteworthy. Cannibal & the Headhunters toured with The Beatles, The Blendells with The Dave Clark Five, Tierra performed at Carnegie Hall, and Los Lobos collaborated with iconic artists and achieved mainstream success with “La Bamba.” “Land of a Thousand Dances” meticulously documents these milestones and many more. For those interested in my personal journey, the book includes references to me on pages 9, 55, 97, and 106-109, along with photos of Mark & the Escorts and Tango. The comprehensive discography is an invaluable resource for anyone wanting to explore the recordings of these artists further.
“Land of a Thousand Dances” is more than just a book; it’s a vital historical document, written with both insight and intelligence. It’s a compelling read that I wholeheartedly recommend to anyone interested in music history, American culture, and the untold stories within rock and roll. Published by University of New Mexico Press, “Land of a Thousand Dances” is readily available at book stores and online retailers like Amazon.com.
Updated Edition Available
The second edition, titled “Land of a Thousand Dances: Chicano Rock ‘n’ Roll from Southern California,” released in March 2009, offers even more. Featuring a new cover, expanded introduction, and additional photographs, this updated edition enriches an already exceptional book. For those looking to purchase, both the first and second editions are available through online platforms such as Amazon.com and Abebooks.com, ensuring that this crucial piece of music history remains accessible to all. “Land of a Thousand Dances” is not just a book; it’s an experience, a journey through a vibrant and essential chapter of American music history.
