For dancers, a compelling headshot is more than just a photo—it’s your calling card. In today’s competitive world of auditions, Dance Headshots are often the first glimpse casting directors and artistic directors get of you. These images form that crucial first impression, making high-quality dance photography an absolute necessity. But beyond their practical purpose, dance headshots can also be deeply personal. For me, after a break from dance, these photos became a powerful symbol of overcoming challenges and a lasting record of my passion. They are a testament to my journey as a dancer, something I can share and cherish for years to come.
This guide will walk you through the essential steps to obtaining dance headshots that truly represent you. We’ll cover finding the right photographer, preparing for your photoshoot, and understanding what to expect when you step in front of the camera.
Finding a Dance Photographer Who Understands Your Vision
As someone immersed in the dance world, I’ve been fortunate to see countless examples of stunning dance photography. While I had some photographers in mind for my own headshots, I knew thorough research was key to making the best choice.
My first step was to tap into my network. I reached out to dancer friends working with agencies I admired. My goal was to understand the kind of imagery that catches an agency’s eye and to avoid needing additional photos later if signed. Dance headshots are a significant investment, and like many dancers, I’m mindful of pursuing my dreams without excessive financial strain.
Building on recommendations, I then explored social media profiles of dancers whose careers I followed. I noted who had photographed their headshots and dance shots. This expanded my list of potential photographers. Next came outreach: I contacted each photographer to inquire about their pricing—as rates are rarely listed online—and their availability. This narrowed down my options considerably. From the remaining top contenders, I carefully reviewed their portfolios, ultimately choosing the photographer whose style resonated most strongly with me.
Haley Hilton in a dance pose.
I decided to book with Rachel Neville Studios, a studio I had admired since 2016. My conversations with Andrew Fassbender, their audition photographer, further solidified my decision. Andrew’s understanding of dance technique (drawing from his experience with Tulsa Ballet) combined with his extensive photography background (over 15 years) assured me I was in capable hands. He genuinely seemed invested in helping me achieve my career goals.
However, it’s important to acknowledge that investing in top-tier photography is a financial commitment. While I prioritized it, I asked Andrew for advice for dancers working with different budgets. His core advice was clear: “Audition images are crucial for advancing your dance career, so treat them seriously. Seek a photographer with a dance background or substantial experience photographing dancers. They’ll understand what translates well visually and what doesn’t. Finally, ensure their aesthetic aligns with your personal style and career aspirations. Scrutinize their Instagram and invest in work you truly admire.”
Preparing for Your Dance Headshot Session: Wardrobe, Makeup, and Mindset
Once I had selected Rachel Neville Studios and booked my photoshoot, preparation became my focus. Wardrobe was a key consideration. Andrew advised me to bring a wide range of clothing options. He explained, “A leotard that enhances an arabesque might not be ideal for a passé. Similarly, a leotard that looks great with arms raised might not photograph as well with arms in a lower position.” Some universal guidelines? “Avoid patterns in audition photos,” Andrew cautioned. (Farewell, my floral leotard!). He also recommended bringing various pairs of pointe shoes, both worn and new, to determine which looked best on camera.
For headshots specifically, Andrew suggested bringing clothing that conveyed both a “happy, bright, Disney-esque aesthetic” and options that were “moodier and sexier.” The style of headshot should align with the specific audition. For instance, headshots for Radio City’s Christmas Spectacular would differ significantly from those for Moulin Rouge! The Musical on Broadway.
For makeup, I opted for a recommended artist, Priscilla Freire. I admired her portfolio on Instagram. Priscilla created a look that enhanced my natural features. Confident in my own hairstyling abilities, I decided to forgo a hairstylist to manage costs.
Finally, Andrew emphasized the importance of pre-shoot self-care. He recommended a good night’s sleep, hydration, and eating as you would on a performance day. “We’re going to push you physically during the shoot,” he warned. “You might execute a sissonne fifty to sixty times, so ensure you’re properly fueled.”
Lights, Camera, Dance: Experiencing the Dance Headshot Photoshoot
My photoshoot experience was fantastic! (You can see highlights in my vlog). Upon arriving at the studio, I warmed up and connected with Andrew before we began. After reviewing my clothing choices, we started with a classic bare-shoulder headshot (using a bandeau for this style). Andrew guided me through a range of expressions, from neutral to a full smile, capturing numerous shots and making subtle adjustments to angles until we achieved the desired result. My favorite images from this segment were the moodier shots, perfect for more serious auditions.
Next, I changed into a blue tank top, chosen for its flattering color. We repeated the expression variations, resulting in bright, joyful shots—my “Legally Blonde” headshots, ideal for upbeat projects.
Haley Hilton smiling in a blue tank top.
Moving on to dance shots, we selected a beautiful gray leotard from Elevé, paired with my Freed of London pointe shoes. Andrew advised that thinner straps are generally more flattering on camera for my body type (though this can vary for each dancer). We began with a turned-in retiré facing sideways in a white space. Andrew had me start on pointe to ensure my standing leg was fully engaged. We repeated the retiré approximately twenty times, experimenting with arm positions and focusing on conveying emotion and artistry.
Once satisfied with the retiré, we transitioned to a low croisé devant, emphasizing pushing through my shoes. “It’s okay to fall,” Andrew encouraged, “As long as you’re safe, what happens before and after the shot is secondary, so commit fully.” Next, we captured an arabesque. I confessed my apprehension about this pose. Despite my flexibility, achieving a strong arabesque had been challenging. Andrew explained that my shorter torso influenced my arabesque and advised me to release back tension and “throw” my leg into position. He was right! He also guided me to slightly turn my standing leg inward and adjust my torso—techniques not typically used in class but visually effective on camera. Following the arabesque, we photographed a développé à la seconde and a fourth position. Finally, I switched to bare feet for a contemporary shot, adding a touch of artistic variety.
Mid-shoot, Rachel Neville herself joined us, offering valuable feedback on poses and aesthetics. Her positive comments were incredibly encouraging. Both Rachel and Andrew inquired about my career aspirations and offered guidance, making me feel supported and empowered.
After six hours, I had a collection of eight images I absolutely loved. I am excited to submit these photos, confident they showcase my best dance qualities to potential employers. More importantly, these dance headshots are a cherished record of my enduring passion for dance. Regardless of what the future holds, I am, and always will be, a dancer.
